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DramaVoksentiredclearunsentimental

The Last Shift

At the end of an ordinary night shift, Sam tells a colleague why this is the last one, and it comes down to a window and the words 'in a minute'.

Casting
any, 30 to 55
Lengde
Omtrent 117 sekunder
Vanskelighetsgrad
advanced
Setting
A hospital ward corridor at ten to five in the morning, rain on the windows, the drug trolley locked and parked.
Sceneoverskrift
INT. HOSPITAL WARD - CORRIDOR - NIGHT
Merknader om innhold
Burnout in a hospital setting og An elderly patient is described, no death
Språk
Norsk bokmål
Rollenotater

Spillealder: 30 to 55

Sam

Mål: Say it once, plainly, so that the colleague does not try to talk them round before handover.

Motstand: Nothing went wrong tonight, so every reason sounds like an excuse, including the true one.

Valgmuligheter

  • Sam is not upset about a death. Sam is upset about 'in a minute'. Keep the scale small and let the weight come from there.
  • Track how many times Sam nearly cries and refuses. The refusals are the performance.
  • The good pen is a real object. Decide where it is and when Sam takes it out.
Full tekst

The Last Shift

INT. HOSPITAL WARD - CORRIDOR - NIGHT

Sam comes out of the sluice room drying their hands, sees the colleague about to speak, and holds up one finger.

Sam

Don't say 'sleep on it'. I've slept on it for eleven years. Tonight I did the drugs round, and then I did the obs, and then I sat with Mr Okafor while he asked me to open the window so he could hear the rain, and I said 'in a minute'. And I meant it. I was going to.

It wasn't a bad night. That's the thing. Nobody arrested. The pump on four behaved for once, and the agency girl turned out to be brilliant. It was a normal night, I did everything right, and I have just stood in the sluice room for twenty minutes because I couldn't remember whether I'd opened his window or only thought about it.

I went back. It was shut. He was asleep. So it didn't matter, in the sense that nothing happened, and it mattered more than anything, because I've become someone who says 'in a minute' to a man who has asked for one thing.

You know what I used to be like. You used to tell me off for it. Sitting on the beds. Learning the grandchildren's names. I had Bed Six's daughter's phone number in my pocket for a week once because she'd want to know. I'm not that any more, and I've been telling myself it's the rota, it's the staffing, it's the winter, and it is all of those, and it's also that I'm forty eight and the thing I was good at has worn through in the middle like a sock.

Handover's at seven. I'll do it properly, everything written up. Then I'm going to go and open that window, because it's still raining. Then I'm going home and I'm not setting an alarm. You can have my good pen.

Øvingslisens

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Opphavsrett © 2026 Elias Munk. Du kan bruke disse originalscenene til egen skuespillerøving, undervisning og workshops ledet av instruktør, samt ikke-kommersielle selftaper til øving, på vilkårene nedenfor.

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