blablabla
Drama성인tiredclearunsentimental

The Last Shift

At the end of an ordinary night shift, Sam tells a colleague why this is the last one, and it comes down to a window and the words 'in a minute'.

캐스팅
any, 30 to 55
길이
117초 내외
난이도
advanced
배경
A hospital ward corridor at ten to five in the morning, rain on the windows, the drug trolley locked and parked.
장면 표기
INT. HOSPITAL WARD - CORRIDOR - NIGHT
내용 안내
Burnout in a hospital setting 및 An elderly patient is described, no death
언어
한국어
역 가이드

연령대: 30 to 55

Sam

목적(Wants): Say it once, plainly, so that the colleague does not try to talk them round before handover.

장애물(Up against): Nothing went wrong tonight, so every reason sounds like an excuse, including the true one.

선택 가이드

  • Sam is not upset about a death. Sam is upset about 'in a minute'. Keep the scale small and let the weight come from there.
  • Track how many times Sam nearly cries and refuses. The refusals are the performance.
  • The good pen is a real object. Decide where it is and when Sam takes it out.
전체 대본

The Last Shift

INT. HOSPITAL WARD - CORRIDOR - NIGHT

Sam comes out of the sluice room drying their hands, sees the colleague about to speak, and holds up one finger.

Sam

Don't say 'sleep on it'. I've slept on it for eleven years. Tonight I did the drugs round, and then I did the obs, and then I sat with Mr Okafor while he asked me to open the window so he could hear the rain, and I said 'in a minute'. And I meant it. I was going to.

It wasn't a bad night. That's the thing. Nobody arrested. The pump on four behaved for once, and the agency girl turned out to be brilliant. It was a normal night, I did everything right, and I have just stood in the sluice room for twenty minutes because I couldn't remember whether I'd opened his window or only thought about it.

I went back. It was shut. He was asleep. So it didn't matter, in the sense that nothing happened, and it mattered more than anything, because I've become someone who says 'in a minute' to a man who has asked for one thing.

You know what I used to be like. You used to tell me off for it. Sitting on the beds. Learning the grandchildren's names. I had Bed Six's daughter's phone number in my pocket for a week once because she'd want to know. I'm not that any more, and I've been telling myself it's the rota, it's the staffing, it's the winter, and it is all of those, and it's also that I'm forty eight and the thing I was good at has worn through in the middle like a sock.

Handover's at seven. I'll do it properly, everything written up. Then I'm going to go and open that window, because it's still raining. Then I'm going home and I'm not setting an alarm. You can have my good pen.

연습용 라이선스

blablabla 무료 리허설 라이선스

Copyright © 2026 Elias Munk. 아래 조건에 따라 이 오리지널 장면을 개인 연기 연습, 강사가 지도하는 수업과 워크숍, 비상업적 selftape 연습에 이용할 수 있어요.

허용되는 이용

  • 상대 배우 한 명과 작업용 사본을 공유하는 경우를 포함한 개인 연기 및 대사 연습
  • 강사가 지도하는 연기 수업과 장면 연습 워크숍
  • 비상업적 selftape 및 개인 포트폴리오를 위한 연기 연습

이용 제한

  • 위에 허용된 연습 용도를 벗어난 재판매, 재허가, 공개 또는 재배포 금지
  • 별도의 서면 허가 없는 상업 제작, 방송, 유료 공연 또는 수익을 내는 각색 금지
  • 내려받거나 공유한 작업용 사본에서 저작권 고지 또는 라이선스 문구 삭제 금지
  • 언급된 엔터테인먼트 기업의 공식 자료, 제휴 자료 또는 추천 자료라고 표시하는 행위 금지