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DramaYetişkintiredclearunsentimental

The Last Shift

At the end of an ordinary night shift, Sam tells a colleague why this is the last one, and it comes down to a window and the words 'in a minute'.

Casting
any, 30 to 55
Süre
117 saniye civarı
Zorluk
advanced
Mekan
A hospital ward corridor at ten to five in the morning, rain on the windows, the drug trolley locked and parked.
Sahne başlığı
INT. HOSPITAL WARD - CORRIDOR - NIGHT
İçerik notları
Burnout in a hospital setting ve An elderly patient is described, no death
Dil
Türkçe
Rol notları

Oyunculuk yaşı: 30 to 55

Sam

İstekler: Say it once, plainly, so that the colleague does not try to talk them round before handover.

Çatışma: Nothing went wrong tonight, so every reason sounds like an excuse, including the true one.

Seçim ipuçları

  • Sam is not upset about a death. Sam is upset about 'in a minute'. Keep the scale small and let the weight come from there.
  • Track how many times Sam nearly cries and refuses. The refusals are the performance.
  • The good pen is a real object. Decide where it is and when Sam takes it out.
Tam metin

The Last Shift

INT. HOSPITAL WARD - CORRIDOR - NIGHT

Sam comes out of the sluice room drying their hands, sees the colleague about to speak, and holds up one finger.

Sam

Don't say 'sleep on it'. I've slept on it for eleven years. Tonight I did the drugs round, and then I did the obs, and then I sat with Mr Okafor while he asked me to open the window so he could hear the rain, and I said 'in a minute'. And I meant it. I was going to.

It wasn't a bad night. That's the thing. Nobody arrested. The pump on four behaved for once, and the agency girl turned out to be brilliant. It was a normal night, I did everything right, and I have just stood in the sluice room for twenty minutes because I couldn't remember whether I'd opened his window or only thought about it.

I went back. It was shut. He was asleep. So it didn't matter, in the sense that nothing happened, and it mattered more than anything, because I've become someone who says 'in a minute' to a man who has asked for one thing.

You know what I used to be like. You used to tell me off for it. Sitting on the beds. Learning the grandchildren's names. I had Bed Six's daughter's phone number in my pocket for a week once because she'd want to know. I'm not that any more, and I've been telling myself it's the rota, it's the staffing, it's the winter, and it is all of those, and it's also that I'm forty eight and the thing I was good at has worn through in the middle like a sock.

Handover's at seven. I'll do it properly, everything written up. Then I'm going to go and open that window, because it's still raining. Then I'm going home and I'm not setting an alarm. You can have my good pen.

Prova lisansı

blablabla Ücretsiz Prova Lisansı

Copyright © 2026 Elias Munk. Bu özgün sahneleri aşağıdaki koşullara uyarak kişisel oyunculuk provasında, eğitmen eşliğindeki ders ve atölyelerde, ticari olmayan deneme selftape'lerinde kullanabilirsin.

İzin verilen kullanımlar

  • Kişisel oyunculuk ve replik provası; bir sahne ortağıyla paylaşılan çalışma kopyası dahil
  • Eğitmen eşliğindeki oyunculuk dersleri ve sahne çalışması atölyeleri
  • Ticari olmayan deneme selftape'leri ve özel portfolyo çalışmaları

Kısıtlamalar

  • Yukarıda izin verilen prova kullanımları dışında yeniden satış, yeniden lisanslama, yayımlama veya dağıtım yapılamaz
  • Ayrıca yazılı izin alınmadan ticari yapım, yayın, ücretli performans veya gelir getiren uyarlama yapılamaz
  • İndirilen ya da paylaşılan çalışma kopyalarından telif bildirimi veya lisans metni kaldırılamaz
  • Malzemenin adı geçen herhangi bir eğlence markasına ait, o markayla bağlantılı ya da marka tarafından onaylanmış olduğu ileri sürülemez