blablabla
DramaAdulttiredclearunsentimental

The Last Shift

At the end of an ordinary night shift, Sam tells a colleague why this is the last one, and it comes down to a window and the words 'in a minute'.

Casting
any, 30 to 55
Durată
Aproximativ 117 secunde
Dificultate
advanced
Cadru
A hospital ward corridor at ten to five in the morning, rain on the windows, the drug trolley locked and parked.
Antetul scenei
INT. HOSPITAL WARD - CORRIDOR - NIGHT
Avertismente de conținut
Burnout in a hospital setting și An elderly patient is described, no death
Limbă
Română
Note de rol

Vârstă de joc: 30 to 55

Sam

Obiective: Say it once, plainly, so that the colleague does not try to talk them round before handover.

Obstacole: Nothing went wrong tonight, so every reason sounds like an excuse, including the true one.

Sugestii de alegere

  • Sam is not upset about a death. Sam is upset about 'in a minute'. Keep the scale small and let the weight come from there.
  • Track how many times Sam nearly cries and refuses. The refusals are the performance.
  • The good pen is a real object. Decide where it is and when Sam takes it out.
Text complet

The Last Shift

INT. HOSPITAL WARD - CORRIDOR - NIGHT

Sam comes out of the sluice room drying their hands, sees the colleague about to speak, and holds up one finger.

Sam

Don't say 'sleep on it'. I've slept on it for eleven years. Tonight I did the drugs round, and then I did the obs, and then I sat with Mr Okafor while he asked me to open the window so he could hear the rain, and I said 'in a minute'. And I meant it. I was going to.

It wasn't a bad night. That's the thing. Nobody arrested. The pump on four behaved for once, and the agency girl turned out to be brilliant. It was a normal night, I did everything right, and I have just stood in the sluice room for twenty minutes because I couldn't remember whether I'd opened his window or only thought about it.

I went back. It was shut. He was asleep. So it didn't matter, in the sense that nothing happened, and it mattered more than anything, because I've become someone who says 'in a minute' to a man who has asked for one thing.

You know what I used to be like. You used to tell me off for it. Sitting on the beds. Learning the grandchildren's names. I had Bed Six's daughter's phone number in my pocket for a week once because she'd want to know. I'm not that any more, and I've been telling myself it's the rota, it's the staffing, it's the winter, and it is all of those, and it's also that I'm forty eight and the thing I was good at has worn through in the middle like a sock.

Handover's at seven. I'll do it properly, everything written up. Then I'm going to go and open that window, because it's still raining. Then I'm going home and I'm not setting an alarm. You can have my good pen.

Licență pentru repetiții

Licența gratuită blablabla pentru repetiții

Copyright © 2026 Elias Munk. Poți folosi aceste scene originale pentru repetiții personale de actorie, cursuri și ateliere conduse de un profesor și înregistrări selftape de probă, necomerciale, cu respectarea condițiilor de mai jos.

Utilizări permise

  • Repetiții personale de actorie și de text, inclusiv o copie de lucru împărțită cu un singur partener de scenă
  • Cursuri de actorie și ateliere de lucru pe scenă conduse de un profesor
  • Înregistrări selftape de probă, necomerciale, și exerciții private de portofoliu

Restricții

  • Este interzisă revânzarea, relicențierea, publicarea sau redistribuirea în afara utilizărilor de repetiție permise mai sus
  • Este interzisă orice producție comercială, difuzare, reprezentație plătită sau adaptare monetizată fără o permisiune scrisă separată
  • Este interzisă eliminarea mențiunii de copyright sau a textului licenței din copiile de lucru descărcate ori împărțite
  • Este interzisă prezentarea materialului drept oficial, afiliat sau susținut de vreun brand de divertisment menționat