blablabla
DramaVuxentiredclearunsentimental

The Last Shift

At the end of an ordinary night shift, Sam tells a colleague why this is the last one, and it comes down to a window and the words 'in a minute'.

Casting
any, 30 to 55
Längd
Om 117 sekunder
Svårighetsgrad
advanced
Miljö
A hospital ward corridor at ten to five in the morning, rain on the windows, the drug trolley locked and parked.
Scenrubrik
INT. HOSPITAL WARD - CORRIDOR - NIGHT
Innehållsnotiser
Burnout in a hospital setting och An elderly patient is described, no death
Språk
Svenska
Rollanteckningar

Spelbar ålder: 30 to 55

Sam

Mål: Say it once, plainly, so that the colleague does not try to talk them round before handover.

Konflikt: Nothing went wrong tonight, so every reason sounds like an excuse, including the true one.

Valmöjligheter

  • Sam is not upset about a death. Sam is upset about 'in a minute'. Keep the scale small and let the weight come from there.
  • Track how many times Sam nearly cries and refuses. The refusals are the performance.
  • The good pen is a real object. Decide where it is and when Sam takes it out.
Hela texten

The Last Shift

INT. HOSPITAL WARD - CORRIDOR - NIGHT

Sam comes out of the sluice room drying their hands, sees the colleague about to speak, and holds up one finger.

Sam

Don't say 'sleep on it'. I've slept on it for eleven years. Tonight I did the drugs round, and then I did the obs, and then I sat with Mr Okafor while he asked me to open the window so he could hear the rain, and I said 'in a minute'. And I meant it. I was going to.

It wasn't a bad night. That's the thing. Nobody arrested. The pump on four behaved for once, and the agency girl turned out to be brilliant. It was a normal night, I did everything right, and I have just stood in the sluice room for twenty minutes because I couldn't remember whether I'd opened his window or only thought about it.

I went back. It was shut. He was asleep. So it didn't matter, in the sense that nothing happened, and it mattered more than anything, because I've become someone who says 'in a minute' to a man who has asked for one thing.

You know what I used to be like. You used to tell me off for it. Sitting on the beds. Learning the grandchildren's names. I had Bed Six's daughter's phone number in my pocket for a week once because she'd want to know. I'm not that any more, and I've been telling myself it's the rota, it's the staffing, it's the winter, and it is all of those, and it's also that I'm forty eight and the thing I was good at has worn through in the middle like a sock.

Handover's at seven. I'll do it properly, everything written up. Then I'm going to go and open that window, because it's still raining. Then I'm going home and I'm not setting an alarm. You can have my good pen.

Repetitionslicens

blablabla kostnadsfri repetitionslicens

Copyright © 2026 Elias Munk. Du får använda de här originalscenerna för personlig skådespelarträning, lärarledda kurser och workshoppar samt icke-kommersiella selftapes för övning, enligt villkoren nedan.

Tillåten användning

  • Personlig skådespelarträning och repetition av repliker, inklusive en arbetskopia som delas med en motspelare
  • Lärarledda skådespelarkurser och scenarbetesworkshoppar
  • Icke-kommersiella selftapes för övning och privata portfolioövningar

Begränsningar

  • Ingen vidareförsäljning, ny licensiering, publicering eller distribution utanför den tillåtna repetitionsanvändningen ovan
  • Ingen kommersiell produktion, sändning, betald föreställning eller intäktsgivande bearbetning utan separat skriftligt tillstånd
  • Upphovsrättsmeddelandet och licenstexten får inte tas bort från nedladdade eller delade arbetskopior
  • Materialet får inte framställas som officiellt, knutet till eller godkänt av något underhållningsvarumärke som nämns