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Dramaكبارtiredclearunsentimental

The Last Shift

At the end of an ordinary night shift, Sam tells a colleague why this is the last one, and it comes down to a window and the words 'in a minute'.

الكاستينج
any, 30 to 55
المدة
حوالي 117 ثانية
المستوى
advanced
المكان والزمان
A hospital ward corridor at ten to five in the morning, rain on the windows, the drug trolley locked and parked.
عنوان المشهد
INT. HOSPITAL WARD - CORRIDOR - NIGHT
تنبيهات المحتوى
Burnout in a hospital setting وAn elderly patient is described, no death
اللغة
العربية
ملاحظات الدور

الفئة العمرية للأداء: 30 to 55

Sam

الأهداف: Say it once, plainly, so that the colleague does not try to talk them round before handover.

العقبات: Nothing went wrong tonight, so every reason sounds like an excuse, including the true one.

مقترحات الاختيار

  • Sam is not upset about a death. Sam is upset about 'in a minute'. Keep the scale small and let the weight come from there.
  • Track how many times Sam nearly cries and refuses. The refusals are the performance.
  • The good pen is a real object. Decide where it is and when Sam takes it out.
النص الكامل

The Last Shift

INT. HOSPITAL WARD - CORRIDOR - NIGHT

Sam comes out of the sluice room drying their hands, sees the colleague about to speak, and holds up one finger.

Sam

Don't say 'sleep on it'. I've slept on it for eleven years. Tonight I did the drugs round, and then I did the obs, and then I sat with Mr Okafor while he asked me to open the window so he could hear the rain, and I said 'in a minute'. And I meant it. I was going to.

It wasn't a bad night. That's the thing. Nobody arrested. The pump on four behaved for once, and the agency girl turned out to be brilliant. It was a normal night, I did everything right, and I have just stood in the sluice room for twenty minutes because I couldn't remember whether I'd opened his window or only thought about it.

I went back. It was shut. He was asleep. So it didn't matter, in the sense that nothing happened, and it mattered more than anything, because I've become someone who says 'in a minute' to a man who has asked for one thing.

You know what I used to be like. You used to tell me off for it. Sitting on the beds. Learning the grandchildren's names. I had Bed Six's daughter's phone number in my pocket for a week once because she'd want to know. I'm not that any more, and I've been telling myself it's the rota, it's the staffing, it's the winter, and it is all of those, and it's also that I'm forty eight and the thing I was good at has worn through in the middle like a sock.

Handover's at seven. I'll do it properly, everything written up. Then I'm going to go and open that window, because it's still raining. Then I'm going home and I'm not setting an alarm. You can have my good pen.

ترخيص البروفة

ترخيص blablabla المجاني للبروفات

حقوق النشر © 2026 Elias Munk. يجوز لك استخدام هذه المشاهد الأصلية في بروفات التمثيل الشخصية، والدروس وورش العمل التي يقودها مدرّب، وتمارين selftape غير التجارية، وفقاً للشروط أدناه.

الاستخدامات المسموح بها

  • بروفات التمثيل والحوار الشخصية، بما في ذلك مشاركة نسخة عمل مع شريك مشهد واحد
  • دروس التمثيل وورش دراسة المشهد التي يقودها مدرّب
  • تمارين selftape غير التجارية وتدريبات ملف الأعمال الخاصة

القيود

  • يُحظر إعادة البيع أو إعادة الترخيص أو النشر أو التوزيع خارج استخدامات البروفة المسموح بها أعلاه
  • يُحظر الإنتاج التجاري أو البث أو الأداء المدفوع أو الاقتباس المربح من دون إذن كتابي مستقل
  • يُحظر حذف إشعار حقوق النشر أو نص الترخيص من نسخ العمل المنزلة أو المشتركة
  • يُحظر الادعاء بأن المادة رسمية أو مرتبطة بأي علامة ترفيهية مذكورة أو معتمدة منها