blablabla
DramaAdulthardruefulprotective

Seven Bags

Owen goes to the house of the boy who has been throwing his son's school bag in the bin, ready to frighten him. Then the boy flinches.

Casting
man, 40 to 60
Duration
About 113 seconds
Difficulty
advanced
Setting
The front doorstep of a terraced house on a weekday evening, a work van parked at the kerb with its engine ticking.
Scene heading
EXT. TERRACED HOUSE - FRONT DOOR - EVENING
Content notes
Bullying between schoolchildren & Violence at home is implied, not described
Language
English
Role notes

Playing age: 40 to 60

Owen

Wants: Make the bullying stop tonight, without a threat and without bringing the boy's father into it.

Up against: He came to scare the boy, and the boy's flinch shows him exactly who he is talking to, and who he used to be.

Choice prompts

  • Owen arrives ready for a fight. Play the first two paragraphs as a man holding himself back.
  • The flinch happens in silence before 'Then I pointed at you'. Decide what Owen sees and how long it takes him to understand it.
  • Owen says 'I'm not telling your dad' twice. The second time is a promise. Find the difference.

EXT. TERRACED HOUSE - FRONT DOOR - EVENING

Owen stands a full step back from the door in his work clothes. The fourteen year old who opened it keeps one hand on the latch. Owen points at him.

Owen

Your dad in? No. Good. I'm not here for him. I'm here for you. Stay there, you're fine. I'm not coming in.

You know who I am. You know my son. Isaac. Small, glasses, does the thing with his sleeves. You've been putting his bag in the bin by the bus shelter. Every day since the half term. He's been telling his mum he loses it. Seven bags. I've been buying bags, Callum. I've been buying them in packs.

I came round here to frighten you. I'll be honest about that. I sat in the van for twenty minutes working out what I'd say. I had a speech. It had a lot of words in it your mum wouldn't like.

Then I pointed at you just now, and you did that. With your arm. Up. Before I'd even finished pointing.

That's a fast arm, son. I know that arm. I had one. My dad was a big man in a small kitchen, and I had the fastest arm in our street. And every day at school I found somebody smaller than me and put his bag in a bin.

Not Isaac. Someone else, before you were born. Danny Moss. I think about Danny Moss more than I think about my dad.

So here's what I'm going to do. Nothing. I'm not telling the school, and I'm not telling your dad. I'm not telling your dad, Callum. You hear me?

But tomorrow, at the shelter, you pick his bag up, you hand it to him, and you say 'here'. One word. That's the whole job.

This is my number. You don't ring it about Isaac. You ring it if you ever need a van.

Rehearsal license

blablabla Free Rehearsal License

Copyright © 2026 Vox Vera ApS. You may use these original scenes and monologues for personal acting practice, auditions, instructor-led classes and workshops, and selftapes, subject to the terms below.

Permitted uses

  • Personal acting and line rehearsal, including a working copy shared with one scene partner
  • Auditions: performing a piece in the room, or recording it as an audition selftape, for casting, an agent or a drama school
  • Instructor-led acting classes and scene-study workshops
  • Practice selftapes and private portfolio exercises

Restrictions

  • No resale, relicensing, publication, or redistribution outside the permitted uses above
  • No commercial production, broadcast, paid performance, or monetized adaptation without separate written permission
  • No removal of the copyright notice or license text from downloaded or shared working copies
  • No claim that the material is official, affiliated with, or endorsed by any referenced entertainment brand

Using Claude? Ask it for a scene or a monologue from this library, and a plan for the days you have. How it works →