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Legal proceduralurgentclippedmorally tense

Before We Resume

During a fifteen-minute court recess, a prosecutor has to get her only eyewitness back on the stand, and learns the identification her case rests on was handed to the witness in a detective's car.

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Casting range
Ruth 38-58; Kasia 26-45. The roles can be cast without regard to gender or ethnicity.
Duration
3 min
Difficulty
Advanced
Relationship
Prosecutor and her key eyewitness
Role balance
balanced
Setting
A courthouse corridor outside a criminal courtroom during a short recess. A hard bench, a water cooler, and a clock above the door.
Scene heading
INT. COURTHOUSE - CORRIDOR OUTSIDE COURT TWO - DAY
Content notes
A violent crime is referred to without detail, Witness intimidation, & Police misconduct
Language
English

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Scene work

What is playable here

Objective
Ruth needs her witness back in court; Kasia needs to stop being the person the whole case stands on.
Obstacle
The defendant's family is watching Kasia, and her identification was shaped by a detective before the line-up.
Relationship
Seven months of preparation have made them close without making them honest with each other.
Stakes
A conviction, a witness's safety, and a prosecutor's duty to disclose what she has just learned.
Turn
Kasia reveals the detective showed her a single photograph in his car, and Ruth chooses to tell the judge before Kasia has to say it on the stand.

Playing age 38-58

Ruth

Wants: Get Kasia back on the stand in twelve minutes with her evidence intact.

Up against: Kasia is frightened for her daughter, and what she finally says destroys the evidence Ruth needs her to give.

Choice prompts

  • Ruth manages witnesses for a living. Start with procedure and water, not warmth.
  • Find the exact line where Ruth stops building a case and starts listening to a witness.
  • Her last speech is a decision, not a comfort. Kasia gets no promise that this will end well.

Playing age 26-45

Kasia

Wants: Get out of the building, or at least get someone else to decide what she says in there.

Up against: She is under oath, the man's brother knows her street, and the only person who can release her is the person who needs her most.

Choice prompts

  • The coat is her argument. Kasia has already left in her head.
  • The photograph is not a confession she planned. Let it come out because Ruth will not stop being exact about four seconds.
  • 'Tell me what to say' is a test of Ruth as much as a plea. Decide which one Kasia means.
Full script

Before We Resume

INT. COURTHOUSE - CORRIDOR OUTSIDE COURT TWO - DAY

Kasia sits on the bench with her coat already buttoned. Ruth comes out of the courtroom carrying a case file and two paper cups of water.

Ruth

You have your coat on.

Kasia

It is cold in there.

Ruth

It is colder out here. Twelve minutes, and you are back on the stand. Drink some water.

Kasia

I am not going back in.

Ruth

You are still under oath. If you walk out of this building, the judge issues a warrant, and you come back this afternoon in a police car. That is not a threat. That is the procedure.

Kasia

His brother is in the second row. When I said the words car park, he mouthed the name of my street.

Ruth

I will raise it with the judge before we resume. Security can move him.

Kasia

Move him where? The third row?

Ruth

Kasia. You are the only person who saw him in that car park. If you do not finish your evidence, he walks out at four o'clock, and his brother still knows your street.

Kasia

Is that supposed to help?

Ruth

It is supposed to be true. His lawyer is going to go back to the light. You will say what you said in your statement. The lamp above the pay machine was on, and you saw his face for four seconds.

Kasia

It was not four seconds.

Ruth

Your statement says four.

Kasia

Your detective said four. He said, would you say a few seconds? I said, maybe. He wrote four.

Ruth

Did you see his face?

Kasia

I saw a jacket. Green, with orange inside the hood. I saw a man running, and I saw the jacket.

Ruth

You picked him out of eight men. You did not even hesitate.

Kasia

Because I already knew which one. Detective Brandt showed me a photograph in his car, the day after. One photograph. He said, is this him? I said, I think so.

Ruth

Who else was in the car?

Kasia

Nobody. He said it was not official, it would just help me feel ready. Then he put the photograph back in the glovebox and bought me a coffee. So. Tell me what to say. You are good at it. Tell me, and I will say it word for word.

Ruth

I cannot tell you what to say.

Kasia

You have been telling me what to say for seven months.

Ruth

I have been reading back to you what you told us.

Kasia

Then what do I say when he asks about the light?

Ruth

The truth. The light, the jacket, the car, the photograph. All of it.

Kasia

Then he walks out at four o'clock, and his brother still knows my street.

Ruth

Yes. And before you say any of it in there, I say it to the judge. It is my case and my detective, and I should have asked you that question seven months ago.

Kasia unbuttons her coat, takes it off, and folds it over her arm.

Kasia

Where will you be sitting?

Ruth is already taking out her phone.

Ruth

Front row. Between you and the second row. Now give me two minutes. I have to tell a judge my case just changed.

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