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Contemporary dramarestrainedtenderunsettling

Lost Property

A widower collects his wife's handbag from a railway lost property office and names every item inside, except the one the clerk has been hearing ring all week.

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Casting range
Nadia 28-50; Tomas 55-72. The roles can be cast without regard to gender or ethnicity.
Duration
2 min
Difficulty
Intermediate
Relationship
A lost property clerk and a recently bereaved husband, strangers
Role balance
balanced
Setting
A railway lost property office at the end of the day. A long counter, a ledger, and shelves of labelled umbrellas and bags.
Scene heading
INT. RAILWAY STATION - LOST PROPERTY OFFICE - EVENING
Content notes
Sudden death of a spouse, Bereavement, & Implied secret relationship
Language
English

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Scene work

What is playable here

Objective
Tomas wants to take his wife's bag home; Nadia wants to release it without lying to him.
Obstacle
The bag holds a phone he does not know about, and it rings every evening.
Relationship
Strangers across a counter, held together for three minutes by the rules of the office.
Stakes
What he knows about thirty-one years of marriage.
Turn
Nadia places a second phone on the counter, and it starts ringing at seven.

Playing age 28-50

Nadia

Wants: Release the bag correctly and decide, before he leaves, whether to give him the second phone.

Up against: The rule says she must hand over everything, and she has heard that phone ring every evening for a week.

Choice prompts

  • Nadia knows about the phone from her first line. Every kindness she offers is also her deciding.
  • The window and the smile are gifts. Choose whether she is preparing him or postponing the last item.
  • Play the final line flat and exact. She is reporting a fact, and the fact is enough.

Playing age 55-72

Tomas

Wants: Prove the bag is hers by knowing everything inside it, and take her home.

Up against: He is holding himself together through detail, and the details are not all his.

Choice prompts

  • Tomas lists the contents like a man who packed that bag himself. The mints are a love story he tells as an inventory.
  • 'Is that next enough?' is the only time he lets the anger out. Keep it small.
  • On 'She only had the one', decide whether he believes it as he says it.
Full script

Lost Property

INT. RAILWAY STATION - LOST PROPERTY OFFICE - EVENING

Nadia lifts a brown leather handbag onto the counter and keeps one hand flat on top of it. Tomas stands holding a folded document he has not yet put down.

Nadia

Before I can release it, I have to ask you what is inside. It is the rule. It is not me.

Tomas

Reading glasses, red frames, tape on the left arm. A purse with a photograph of a dog who died in two thousand and nine. Mints. She never ate the mints. She just liked to have them.

Nadia

Go on.

Tomas

A pen from the dentist. A shopping list. Eggs, bin bags, and the word Tuesday, underlined twice. I do not know what Tuesday was.

Nadia

That is all correct. I still need the next of kin to sign.

Tomas unfolds the document and lays it on the counter.

Tomas

Thirty-one years. Is that next enough?

Nadia

She was on the eight fifteen.

Tomas

Every Thursday. To see her sister.

Nadia

The conductor brought the bag in himself. He said she was sitting very straight, by the window. He thought she was asleep.

Tomas

Did he say anything else?

Nadia

He said she was smiling at her phone.

Tomas

She hated that phone. I had to show her how to answer it. Twice.

Nadia turns the form around and holds out a pen.

Nadia

Sign by the cross, and it is yours.

Tomas signs and lifts the bag against his chest.

Tomas

Thank you. You did not have to tell me about the window.

From under the counter, Nadia places a small black phone beside the form.

Nadia

There is one more item. It was in a zipped pocket inside the lining.

Tomas

That is not hers. She only had the one.

The black phone lights up and starts to buzz against the counter.

Nadia

It has rung every evening at seven. It is seven.

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