blablabla
ComedyAdopleadingquickaffectionate

Driving Test

Parked outside the test centre with the examiner's pen already moving, Toby sets out, in order, why the roundabout was not entirely his fault.

Casting
boy, 16 to 18
Durée
Environ 116 secondes
Difficulté
beginner
Cadre
A stationary learner car in the test centre car park, engine off, a Tuesday morning in October.
En-tête de scène
INT. LEARNER CAR - TEST CENTRE CAR PARK - DAY
Avertissements de contenu
Suitable for school auditions
Langue
Français
Notes de rôle

Tranche d'âge: 16 to 18

Toby

Objectifs: Get the examiner to write 'partial' somewhere on the form, and get out of the car before his nan arrives.

Obstacles: Every fact he lays out makes the stopping look worse, and the true reason is the least defensible of all.

Choix de jeu

  • Toby builds a legal case and then abandons it. Find the exact word where he gives up and just tells the truth.
  • His nan is offstage and getting closer. Let her progress across the car park set the pace of the last paragraph.
  • Decide whether Toby thinks he passed. It changes every line.

INT. LEARNER CAR - TEST CENTRE CAR PARK - DAY

Toby has both hands still on the wheel. He watches the examiner's pen out of the corner of his eye and turns, very carefully, to face them.

Toby

Can I just, before you write anything. I know the pen's already moving. I can see it moving. But I'd like the record to reflect the sequence of events, because the roundabout, on reflection, wasn't entirely me.

One. The signage. There's a sign that says Town Centre and an arrow that points, I would say, at a hedge. Two. The lorry. You saw the lorry. The lorry had opinions about which lane it was in and those opinions changed. Three, and I want to be fair to myself here, the mirror check was excellent. You said so. You said 'good' out loud. I heard it. That's on the record, in your voice.

And then there's the part I accept looks bad from the passenger seat, which is the stopping. Halfway round. With the indicator going the wrong way. I'm not going to insult you and say the car did that.

It was my nan. On the island. She does the flowerbeds for the council, Tuesdays, high vis, little kneeler thing. I came round the bend and she stood up and waved, with the trowel, with her whole arm, and you cannot not wave at your nan. You can't. Nobody can. There's no box on your form for that but there should be. I waved, the car did what cars do when you take a hand off, and the lorry, to its credit, was very understanding.

So. Partial responsibility. Shared with a woman of seventy four and a hedge. Tick whatever you need to tick, I won't argue. I'd just ask you to do it quite quickly, because she's finished the pansies and she's coming over, and if she asks how it went I need to already be out of this car.

Licence de répétition

Licence gratuite de répétition blablabla

Copyright © 2026 Elias Munk. Tu peux utiliser ces scènes originales pour ton entraînement de comédien, des cours et ateliers encadrés et des selftapes d'entraînement non commerciaux, sous réserve des conditions ci-dessous.

Usages autorisés

  • Travail personnel de jeu et de mémorisation, avec une copie de travail partagée avec un seul partenaire de scène
  • Cours de théâtre encadrés et ateliers de travail de scène
  • Selftapes d'entraînement non commerciaux et exercices privés pour un book

Restrictions

  • Aucune revente, sous-licence, publication ou redistribution en dehors des usages de répétition autorisés
  • Aucune production commerciale, diffusion, représentation payante ou adaptation monétisée sans autorisation écrite distincte
  • Aucune suppression de la mention de copyright ou du texte de la licence sur les copies de travail téléchargées ou partagées
  • Aucune présentation du texte comme officiel, affilié à une marque de divertissement citée ou soutenu par elle