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How to learn lines with ADHD (or dyslexia)

June 25, 2026 · 4 min read

Elias Munk
Elias Munk· 14 years acting

There's a specific kind of quiet panic that comes with trying to memorize lines when you have ADHD or dyslexia. You read four lines, look up, and there's nothing there. You read them again, then cover the page. Still nothing. And underneath it sits the thought you'd never say out loud in the waiting room: maybe I'm not built for this.

I've heard some version of that from a lot of actors who learn lines with ADHD or dyslexia, and it comes out almost word for word. I feel like a failure when nothing sticks. I'm doing the work and the page still slides off me. The thing I love most starts to feel like proof I can't do it.

So before any technique, the part that matters most: it's almost never you. The advice everyone gives, read it over and over until it lodges, is close to the worst possible instruction for a brain that doesn't file information by staring at it. Most line learning advice quietly assumes you memorize by reading. If that's not how your head works, the advice isn't wrong so much as aimed at someone else.

The trick a lot of actors already use

Search any dyslexia or ADHD acting thread and the same workaround keeps surfacing. You record yourself saying every other character's lines, and you leave a gap where your line belongs. Then you play it back and fill the gap out loud. You do it on a walk, in the kitchen, on the floor with your eyes shut. The line shows up because the cue shows up.

It works because it stops being a reading task. You're not decoding text and trying to bank it at the same time. You're listening and answering, which is what acting is anyway. The words attach to a moment instead of to a spot on the page.

Why reading lines off the page fails an ADHD or dyslexic brain

Silent reading asks one system to carry two heavy loads at once. It has to turn the marks into words, and it has to hold the meaning long enough to store it. If you're dyslexic, the decoding takes most of what you've got, so there's very little left over for remembering. If you have ADHD, a silent page gives your attention nothing to grip, and focus slides off it within seconds. Either way, the lines never reach the place where memory actually forms.

This isn't a willpower problem, and it isn't a sign you lack talent. It's a mismatch between a method and a brain. Change the method and the same brain does fine.

The fastest way to memorize lines with ADHD or dyslexia

Saying lines out loud while you move isn't a cute trick. There's research behind it. Work on what psychologists call the production effect, including a 2015 study in the journal Memory, has repeatedly found that saying words aloud instead of reading them silently makes them measurably easier to remember. For a brain that already struggles with the silent page, that difference is the gap between a line that lands and one that's gone by morning.

So get off the couch. Pace the hallway. Pick the lines up while your hands are busy with something else. Run the scene in short passes spread across the day instead of one long grind, and let yourself sleep between them, because sleep is when the lines actually set. Patience here isn't a virtue, it's a technique. The actor who runs a scene five times over two calm days will out-remember the one who runs it twenty times in a panic the night before.

Where blablabla fits

The recording trick has one real flaw: making the recording. You have to read every other part into your phone, guess the length of each gap, and do the whole thing again the moment the sides change. It's tedious enough that most people try it once and give up.

That tedium is the specific thing I built blablabla to remove. You drop in the scene, tell it which character is yours, and it speaks every other part out loud in its own voice, then waits in the gap for as long as you need. No timer, no page to read off while you act. You can shut your eyes and just answer the cues. It's the same idea as recording everyone else's lines and leaving yourself a gap, except you skip the tedious part of making the recording, and the gap lasts exactly as long as your line needs.

I want to be careful about what I'm claiming. blablabla isn't a treatment for ADHD or dyslexia, and I'd never sell it as one. It's a rehearsal tool that happens to line up with how a lot of these brains already work. Hear it, move with it, answer it, run it again without shame. That's the whole pitch. For some actors it's also the whole difference.

None of this makes the work vanish. You still have to put in the reps. But the reps stop feeling like evidence against you, which for a lot of actors is the quiet thing that was killing the love of it.

If you want the underlying memory techniques (the ones about playing intentions and anchoring lines to real feeling that help any brain), I wrote them up in how actors actually memorize lines. When the clock is short, how to get off-book in 48 hours lays out a calmer sequence than panic. And the whole picture of rehearsing on your own, from scene work to taping, is in the complete guide to rehearsing alone.

Common questions

Stop reading them silently and start hearing them. Record every other part and leave a gap for yours, or let an app like blablabla speak the other lines and wait while you say yours. Do it on your feet, in short passes across the day, and sleep between them. The cue triggers the line, so the words attach to a moment instead of a spot on the page.

Yes. Decoding text on the page eats most of a dyslexic reader's effort, which leaves little for memory. Hearing the lines and answering them out loud skips that bottleneck. A 2015 study in the journal Memory found that speaking words aloud while moving improved recall over silent reading, and the gap tends to be even bigger when the silent page is the part you struggle with.

Yes, that's what blablabla does. You import the scene, pick your character, and it voices every other part and waits in your gaps for as long as you need. It works offline once the scene is loaded, so you can run lines on a walk or with your eyes shut.

Almost certainly not. When lines won't stick it's usually a mismatch between the method and your brain, not a lack of talent or effort. The standard read-it-over-and-over advice is built for a kind of reader you might not be. Switch to hearing and answering the lines and the same brain often does fine.

More than feels fair, and spread out rather than crammed. Short frequent passes beat one long grind, and a night of sleep between sessions does more than another hour of drilling. If a couple of lines refuse to land, drill just those on their own instead of running the whole scene again.

Elias Munk

Elias Munk is a Danish actor and the creator of blablabla. Fourteen years in the business. Built blablabla because rehearsal shouldn't be the difficult part of being an actor. Performance should.

blablabla reads the other characters' lines and waits for yours.

Two voiced scenes free. No sign-up required.